Modern Jazz Quartet

The Modern Jazz Quartet was established in 1952 by Milt Jackson (vibraphone), John Lewis (piano, musical director), Percy Heath (contrabass), and Kenny Clarke (drums). Connie Kay replaced Clarke in 1955. The quartet performed in several jazz styles, including bebop, cool jazz and third stream.

Milt Jackson, John Lewis, and Kenny Clarke had originally played together in a quartet while in the Dizzy Gillespie orchestra from 1946 to 1950. Together with Ray Brown they played during interludes designed to give the trumpeters time to recover from the challenging upper register trumpet parts. This line-up recorded as the Milt Jackson Quartet in 1951.

Bassist Percy Heath joined the line up in 1952 and the group became known as The Modern Jazz Quartet after John Lewis took over as Musical Director, a position which Jackson and Lewis had previously shared.

In their middle years the group often played with classical musicians, but their repertoire consisted mainly of bop and Swing era standards. Among the original compositions from the band's book are "Django" by Lewis (a tribute to the Belgian jazz guitar player Django Reinhardt), "Afternoon In Paris," also by Lewis, and Jackson's "Bags' Groove", the latter borrowing its composer's nickname.

The group was first signed by Prestige and later in the fifties with Atlantic. In the late 1960s, in between their two periods with Atlantic, they signed with Apple, the Beatles' label (the sole jazz group on the label), and released two albums: Under the Jasmin Tree (1968) and Space (1969). Both Apple albums were re-released on one CD at the end of October 2010, with a previously unreleased rendition of the Beatles' "Yesterday" (recorded during sessions for Space) added as a bonus track. MJQ came to Apple through the first head of the label, Ron Kass. Kass was a jazz fan, and "Under The Jasmine Tree" was recorded in America prior to signing with Apple. The second Apple album "Space" was recorded at London's "Trident Studios" under the supervision of Apple A&R man, Peter Asher (Peter and Gordon).

Jackson left the group in 1974 partly because he liked a freer flowing style of playing and partly because he was tired of playing for little money (compared to rock and roll stars). As there could be no Modern Jazz Quartet without the two principals Lewis and Jackson, the group disbanded after going out with a rollicking concert in November at Lincoln Center's Avery Fisher Hall. In 1981 the MJQ reorganized to play festivals and later on a permanent six months per year basis. The MJQ's last recording was issued in 1993. Heath, the last surviving member, died in 2005.

The enigma of the MJQ's music-making was that each individual member could improvise with an exciting vibrancy but in toto the group specialised in genteel baroque counterpoint. Their approach to jazz attracted promoters who sponsored "jazz packet" concerts during the 1950s. One show would consist of several contrasting groups. The MJQ were ideal participants because no other group sounded like them. They provided a visual contrast as well, attired in black jackets and pin-striped trousers.

The group played blues as much as they did fugues, but the result was tantalising when one considered the hard-swinging potential of each individual player. Their best-selling record, Django, typified their neo-classical approach to polyphony.

(bron: Wikipedia)

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The Modern Jazz Quartet - 1959 Bonn, Beethovenhalle

_{Gepubliceerd op: 2011-01-06}

Dit concert en andere, zoals in Ljubljana Mei 1960 en Scandinavia April 1960, zijn  interessant als ‘live’ opnames. Er kan niet gecorrigeerd worden zoals bij studio opnames. Niet dat die geen geweldige muziek opleverden, integendeel enkele hoogtepunten zijn studio opnames. ‘Live’ opnames echter, laten wat meer het spontane optreden van de musici horen. Natuurlijk zijn de MJQ leden doorgewinte ... »

_{Tags: jazz, cd recensie | Tell a friend}

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